New York City Broadway Theater Guide | Taboo

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2003-2004 Season

 

 

New York City Broadway Theater Guide

Taboo


Played at

Plymouth Theater

Awards

Taboo was a 2004 Tony Awards nominee

Show Site

was tabooonbroadway.com

Broadway Musical

Previews October 28 2003
Opened November 13 2003
Closed February 8 2004

Run 16 previews | 100 performances

Running Time  2 hrs 35 mins | 1 intermission

Tickets  $41.25 to $101.25

Rush Student two-fers: Buy one, get one free | Offer not valid for Saturday evening performance | Box office only | 2 per valid student ID | Limited availability | Subject to change

Prices do not include any taxes, service charges or other charges

Performances

Mon

Tue

Wed

Thu

Fri

Sat

Sun

          2:00P 2:00P
  8:00P 8:00P 8:00P 8:00P 8:00P 7:30P

 

Creative  George O'Dowd & Christopher Renshaw concept | Mark Davies-Markham original book | Charles Busch new book | George O'Dowd music & lyrics | Kevin Frost co-composer | John Themis & Richie Stevens music co-writers | Mark Dendy choreographer | Christopher Renshaw director

Opening Night Cast  Boy George | Euan Morton | Raul Esparza | Sarah Uriarte-Berry | Jeffrey Carlson | Liz McCartney | Cary Shields

Note Liz McCartney on maternity leave Dec 3rd through Jan 6th; Brooke Elliott to substitute | Boy George does not perform March 29th thru April 4th

Synopsis The press release says it all:

"Americans will be delighted that the 53rd state is sending an award-winning West End musical to New York to lighten the mood. After all, nothing beats news of an upcoming, fast-moving, razzmatazz-rich musical entertainment when you’re trying to take your mind off impending Armageddon

"The entertainment in question is Boy George’s big Brit-hit TABOO, which has been packing in the punters and eliciting high praise from the press for well over a year at London’s previously long-secret subterranean space, The Venue

"The show is Broadway bound. It hits the 1,000-seat Plymouth Theatre on West 45th Street, in October. Boy George himself will be strutting the stage, as will a selection of queer folk from the early ‘80s, which could unsettle more conservative Americans. Since this is the town that spawned Studio 54 (and its legendary appetite for sexual excess), it’s more likely that it will be embraced as a welcome return to the good old days"

 

 

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