Good Vibrations
Broadway Musical
Previews December 20 2004
Opened January 27 2005
Closed April 24 2005 Run 50
previews & 94 performances Running Time 2 hrs 15 mins | 1
intermission
Tickets
$76 to $101
Rush $26 day of performance tickets
available | Box office only | Cash only | 2
per valid student ID | Limited availability
| Subject to change
Standing Room Only $26 tickets
available if performance is sold out | Box office only | Cash only | Limited
availability | Subject to change
Prices do not include any taxes,
service charges or other charges
Restrictions Children 4 years old and
younger not
permitted
Performances
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Mon
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Tue
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Wed
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Thu
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Fri
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Sat
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Sun
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2:00P |
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2:00P |
3:00P |
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7:00P |
8:00P |
8:00P |
8:00P |
8:00P |
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Producers
NCJ Productions | Michael Watt | Dodger Stage Holdings
Creative
Richard Dresser book
Brian Wilson & The Beach Boys music & lyrics
John
Carrafa choreographer & director
Opening Night Cast Tituss Burgess |
David Larsen | Kate Reinders | Brandon Wardell | Jessica-Snow Wilson
| Tracee Beazer | Heath Calvert | Janet Dacal | Tom Deckman | Carlos
L Encinias | Sarah Glendening | Milena Govich | Chad Kimball | Amanda Kloots | John Jeffrey Martin | Jesse Nager |
David Reiser | Jackie Seiden | Allison Spratt | Vasthy Mompoint |
Steve Morgan | Krysta Rodriguez
Synopsis Yep, yet another tuner with the songs of our
youth. Appears that producers have stumbled upon a dependable
formula: The potential audience that can afford a hundred bucks
per ticket and potential backers who can write a check for a hundred
grand are both north of forty so give 'em music they know and with
which they identify. Good Vibrations, based on music by the
Beach Boys, definitely qualifies
Oh, about the show, something to do
with teenagers on the beaches of -- where else -- sunny, Southern
California
The Road to Broadway
Word of Good Vibrations and the show's aspirations first
surfaced in November 2003. Shortly after a Summer 2004 run at
the New
York Stage and Film Workshop, with Justin Guarini in the lead,
CBS
News reported the show headed for New York City. We had the
production pegged for Spring 2005; the show is apparently is good
enough shape to open a couple of months earlier, in time for the
holiday rush
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